
“We were supposed to drink. We were following
the heritage of the pro athlete going back to Babe Ruth.
You punished your body. It was so ingrained: you played
ball until you couldn’t play anymore. After that,
you hit the bar.”
—Larry Grantham, linebacker, NY Jets
The late 1960s saw the rise of the superstar athlete,
those colorful characters who popped up in gossip columns
as much as they did on sports pages.
And few caused a bigger stir or excited more heated debate
than New York Jets quarterback Joe Namath.
Joe reinvented himself over and over again. Ad agencies
sought his services as a pitchman, and he appeared in dozens
of commercials, including the infamous spot for Beautymist,
which featured Joe in panty hose. He dated movie stars and
rock singers. He starred in movies and Broadway shows. He
had his own daytime talk show. And he did it all with a
drink in his hand.
It wasn’t just a nickname. He was Broadway
Joe.
In a sport that has produced a plethora of epic boozehounds,
Joe Namath belongs right at the top of the list. Morning,
noon or night, you’d find him with a glass of vodka,
Crown on the rocks, or a bottle of beer in his hand. The
hand not encumbered with booze was usually filled with an
attractive young lady. In Joe’s life, the party ran
24/7.
The favorite son of Beaver Falls, Pennsylvania, grew up
a multi-sport athlete, setting high school records in football,
baseball and basketball. Before he even graduated, the Chicago
Cubs and Baltimore Orioles offered big money for his services
as a pitcher, but Joe wanted to play football.
The Meteoric Rise
In 1965 the New York Jets were a struggling young team in
the upstart AFL. They were looking for just the right player,
someone who could really make a splash, and they set their
sights on a cocky, strangely dressed, good-looking quarterback
from the University of Alabama. Namath packed his bags
and headed for the Big Apple, where his idiosyncratic wardrobe
(he once walked the sidelines in a $5,000 tailored mink
coat), long hair, goatee and party animal habits lit fires
all over the city.
Namath played well for the Jets. He had a bazooka for an
arm (before becoming “Broadway Joe” he was “The
Hungarian Howitzer”), which enabled him to invent
new plays, such as sending his receivers on deep crossing
routes and hitting them in stride, something most pro quarterbacks
lacked the arm strength to do. He was the first QB in any
league to throw for more than 4,000 yards in a single season.
He was voted AFL Rookie of the Year and was the AFL All
Star game MVP in 1966. In 1969 he was voted the overall
AFL MVP. Contrary to his image, Joe Namath was a tough son
of a bitch. Friends and foes alike respected Joe’s
ability to take brutal hits and come back for more.
The apex of Namath’s career was his eye-popping performance
in the Jets’ January 1969 win over the Baltimore Colts
in the World Championship Game (now known as Super Bowl
III). Namath faced an uphill battle. Sportscasters called
the Colts “the greatest football team in history,” and
the Jets were 18-point underdogs. This was the final Championship
Game before the NFL and AFL merger, and the AFL had not
fared well in their previous showdowns with the older NFL,
going down in blowouts two years in a row. This game would,
according to the naysayers, prove once and for all that
the proposed merger should be consigned forever to the history
of bad ideas. Celebrated former player Norm Van Brocklin
singled Joe out for special abuse, saying, “This will
be Namath’s first professional football game.” Yeah,
the yucks just kept right on coming.
A few days before
the game, a guest at an awards dinner began shouting insults
at Namath, suggesting that he and his team were a bunch
of losers. Unruffled, Namath took a long pull from his glass
of Crown and said, “The
Jets will win. I guarantee it.” His “guarantee” would
become the stuff of sports legend, but Namath was only getting
started. For days leading up to the game, stationed on his
customary pool-side lounge chair with a glass of iced vodka
in his hand, he talked a never-ending stream of smack aimed
at the Colts. They were old. They were slow. They were old-fashioned.
His back-up QB, Babe Parilli was better than their starter,
Earl Morrall (this in itself was a veiled shot at the Colts’ injured
starter Johnny Unitas). Joe delivered these predictions
and insults in his lazy drawl while flashing his million-dollar
grin, and he drove the Colts batshit. They didn’t
know whether to laugh with Namath or mob-up, find him, and
beat him so badly his name fell out of the phone book.
Popular legend has it that Namath’s guarantee aroused
headlines across the country, on a par with Babe Ruth’s “called
shot” in the 1932 World Series, but that isn’t
really the case. There was so much about Joe that was bigger
than life that his guarantee was seen as just another outburst
from his oversized ego. Headlines the morning after the
game, however, solidified the legend. The lowly Jets, from
the hayseed American Football League, had decisively beaten
the unbeatable Colts 16 to 7. Front pages nationwide trumpeted
the news, “Joe Guaranteed It!” Footage of the
victorious quarterback jogging off the field at the end
of the game waving a we’re-number-one finger in the
air would become one of football’s iconic images.
The remainder of Namath’s football career would never
again reach such lofty heights. He was beset with injuries,
particularly his knees (both would be replaced with artificial
ones in the 1980s), and he finished his NFL career warming
a bench for the Los Angeles Rams. He retired in 1977.
However, the phenomenon sportswriter Marc Kriegel so aptly
dubbed The Joe Namath Show just kept rolling along.
Boozing, Broadway Joe Style
Namath learned to drink as a youngster, back home in Beaver
Falls. You could say he developed a taste for hooch as
an infant— when he got fussy while teething his mother
rubbed his gums with a rag soaked in grain alcohol. His
family made wine at home and everyone got a glass (or three)
at meal time. Always in need of cash, Joe hustled pool
for beers at a local dive called the Blue Room. At the
height of the college-recruitment frenzy, he often arranged
meetings there. One recruiter, from Michigan, who arrived
to find Joe loaded up on beer and snoozing in the afternoon
sun on the hood of his car, left without a word, figuring
the kid would be too much to handle. He might’ve
been right. In the early 1960s, colleges weren’t
yet accustomed to guys like Joe. That didn’t stop
Bear Bryant, though. Bryant was a hard taskmaster and while
Namath was an iconoclast, Bryant figured he could control
the kid, and was about as successful at it as anyone could’ve
been.
Drinking was against team (and university) rules, and Namath,
despite numerous infractions, only got busted once, and
on that occasion he was entirely innocent. Joe and his pal
Hoot Owl (I am not kidding) were pulled over by a pair of
bumpkin deputies who frisked the pair and carted them off
to university authorities. Coach Bryant called the team
together, summoned Joe to the front and demanded answers.
Joe declared his innocence, saying he’d had no more
than half a beer, but Bryant sided with the cops and suspended
Joe for the last game of the season. The suspension rippled
through Tuscaloosa; the town’s teetotaling Baptists
were positively giddy about it. They never really cottoned
to the smart-ass Yankee in the first place, what with his
long hair and garish shirts and known association with blacks.
There is no evidence to suggest that Joe’s suspension “reformed” him
in any way. He didn’t appreciate people telling him
what to do with his free time, not even men like Bear Bryant,
whom Joe called one of the finest men he ever met. No, Joe
kept right on drinking and, in that regard, things got much
easier for him when he left Alabama for New York.
Upon arriving in the Big City, Joe set himself up in a penthouse
apartment and opened his now-stuffed wallet to decorators.
Under his command, they created the quintessential 1960s
bachelor pad: llama-skin rugs, satin sheets, silk wallpaper,
marble floors, gold-plated bathroom fixtures, pillows covered
in the skins of cheetahs and Siberian snow leopards, and
mod furniture, including a long bar with stools enough to
entertain plenty of visitors. Which he did. With vigor and
until dawn.
Joe’s coming-out party with the New York sporting
press was held at Toot Shor’s place, a former speakeasy
and favorite watering hole among newsmen, as well as serious
drinkers like Jackie Gleason and Frank Sinatra. The event
turned into a five-hour booze-fest, with Joe openly and
unabashedly draining bottles of beer. A reporter asked Joe
about his drinking. Flashing his famous grin, Joe said he
didn’t want folks to get the wrong idea about him
because “I only drink in two situations: when I’m
with others and when I’m by myself.” In an interview
a few years later, another reporter asked Joe about his
boozing. “I’m no hypocrite,” Joe said. “I
don’t hide anything.” He paused to finish his
drink before continuing. “I drink for the same reason
I keep company with girls. It makes me feel good. It takes
away the tension.”
The Pussycat
Joe quickly tired of hanging out at Toots Shor’s—there
weren’t many girls there—but it didn’t
take him long to settle on another suitable spot, The Pussycat
on 49th Street and 2nd Avenue. It had everything Joe liked
in a bar: good food, cheap, strong drinks, easygoing, companionable
customers, and lots of pretty girls.
The Pussycat’s clientele ran the gamut from the famous
to the infamous. Joe DiMaggio and Jack Lambert were regulars,
as was Mickey Mantle. DiMaggio drank, but not with real
gusto. Lambert and Mantle, however, were a whole different
story. They frequently teamed up with Joe to form a drinking
triumvirate of unsurpassed skill, agility and testicular
fortitude. When they weren’t at the Pussycat, they
could be found on one of several Westchester golf courses,
or at celebrity tournaments around the country. The three
star athletes traveled in one golf cart, and two more followed:
one carrying the girls and the other carrying the liquor.
For Joe, the Pussycat was his office, his second home. He
was well liked there. In contrast to many celebrities, especially
celebrity athletes, Joe tipped big and always picked up
the check. He hardly ever got too rowdy and addressed the
employees, from managers to busboys, as “sir” or “ma’am.” His
momma raised him right. After a big win, Broadway Joe was
likely to spring for a round for the house. His fans were
welcome at the Pussycat. He chatted with them and signed
all the autographs they wanted. He also put away, on average,
around a bottle of Crown or Johnnie Walker at each sitting.
He once said that the only way he could really, truly relax
was with a “girl and a bottle of Johnnie Walker Red.”
Joe was known for his charm and his ability to drink with
pretty much anybody. It didn’t matter if the guy on
the next stool was a senator or a bricklayer; Joe could
have a nice conversation. How you made your living was of
no concern to him. If you treated Joe right, he treated
you right. It was this very trait that got him close to
another pair of Pussycat regulars: Carmine Tramunti and
Tommy “Tea Balls” Mancuso, mob enforcers for
the Colombo Family. His relationship with these men would
eventually land Joe in a very ugly situation, the details
of which we will get to shortly.
When the sun rose after a long night out, Joe enjoyed taking
himself, his date and his friends out to breakfast. His
favorite eatery was the Green Kitchen. Before considering
food, however, Joe always placed his drink order: “A
Miller, right away, no coffee.” A few beers and a
big breakfast cleared his head, freshened him for whatever
the day had in store; a commercial shoot, practice, or—if
it was Sunday morning—a football game.
Game Time
Namath talked freely throughout his career about the curative
properties of hard liquor. He had his knees drained nearly
every day and suffered, over the years, an array of other
painful injuries—dislocated fingers, torn hamstrings,
wicked ankle sprains, bruised ribs and a broken jaw. Joe
believed that booze was a better pain killer than any of
the pills team doctors prescribed. He would sometimes take
the pills, but preferred to come down after a game by sitting
in a hot-tub with a bottle of whiskey.
Joe also believed that a good drunk kept him loose and ready
to play. Former Colts lineman and record-setting party monster,
Art Donovan, who worked for the Jets organization during
Namath’s tenure, recalled that Joe would stagger into
QB meetings “drunk off his ass the night before the
game.” He never got busted for it, though. Other players
might, but not Broadway Joe. The Jets were said to have
two sets of team rules: one for Joe and one for everybody
else.
Once, before a game against the Miami Dolphins, Joe arrived
at the stadium less than an hour before kickoff. One look
was all it took to see that he had been out all night. The
team trainer offered him a shot of B12, but Joe refused.
All he needed, he said, was something for his breath—a
shot of peppermint schnapps in this case.
Namath wasn’t the only drinker on the team, not by
a long shot. Many of his fellow players shared his habits,
while at least one—running back John Riggins—took
it to the next level. Riggins not only drank until the wee
hours, but, rumor had it, once took to the field on game
day while tripping on magic mushrooms. He would later get
loaded at a hoity-toity Washington dinner and tell Supreme
Court Justice Sandra Day O’Conner to “loosen
up, Sandy baby!” It came to the point that an anonymous
player suggested that the entire team should cease drinking
for the four full days leading up to a big game against
the Buffalo Bills. The Jets badly needed a win, so everyone
agreed to the temporary prohibition. Oof. Bad idea.
Joe had one of his worst outings ever as a quarterback.
He threw for four touchdowns, but also tossed five interceptions,
two of which were returned for scores, had three balls batted
down at the line of scrimmage, and was sacked five times.
Talking to reporters after the debacle, Joe took full responsibility,
as he always did, saying that all blame should be put on “this
stupid guy right here.” A little while later he began
drinking in earnest, later saying he “drank right
on through the following Sunday when I threw no interceptions
and we whipped San Diego.” Joe never again altered
the way he prepared for a game.
Apart from Super Bowl III, the biggest game Joe ever played
was the 1968 AFL championship game against the Jets’ hated
rivals, the Oakland Raiders. At a little before eight that
morning an off-duty New York cop witnessed something he
would never forget. As he stood at a crosswalk waiting for
the light to change, he glanced across the street and saw
Joe Namath leaving the Summit Hotel. The quarterback had
a girl on one arm and carried a whiskey bottle in his free
hand. According to the cop, Joe looked tired and messy.
He also appeared to still be drunk. Kickoff was at 1pm.
Oakland had been a rock in the Jets’ shoe for several
seasons. No matter how they played or prepared, they just
couldn’t beat the bastards. This time was different,
however. The stakes were higher. A trip to this new thing
called a Super Bowl was in the offing. Winning meant $15,000
bonuses and swaggering rights. The Raiders were arrogant,
but the Jets were focused. Namath, grinning through his
hangover, took charge of the game and executed one dazzling
play after another, as the Jets stomped a mud hole in the
Raiders and walked it dry.
Some years later Joe talked about his whereabouts the evening
before the game. “I [had] the whole family in town
and there’s people all over my apartment. I wanted
to get away from everything. Too crowded, too much noise.
So I went to Bachelors III [his bar; see below] and grabbed
a girl and a bottle of Johnnie Walker Red and went to the
Summit Hotel and stayed in the bed the whole night with
the girl and the bottle.”
And that cop who saw Joe outside the Summit Hotel looking
shabby and drunk? He raced to the closest sportsbook he
could find and bet everything on the Raiders. It’s
a hard way to learn a lesson, but he never should’ve
doubted Broadway Joe.
Celebrity Status
After winning Super Bowl III, Joe was the guy everyone wanted
to meet. He was invited to A-list parties and few celebrities
passed through New York without pausing to pay him their
respects. The same thing happened when he visited other
cities for charity events or while on vacation. In Celebrity
World, circa 1970, there were the Beatles, and there was
Joe Willie Namath.
If there was one thing growing up in Pennsylvania and living
in New York had taught Joe, it was that he hated cold weather.
He spent as much off-season time as possible in Miami, where
he had a house and was a fixture at Jilly Rizzo’s
bar. He was there, a short time after Super Bowl III, when
the bar’s other superstar regular popped by, specifically
because he wanted to shake Joe’s hand. Joe, who according
to witnesses was utterly shit-faced, was sitting with a
couple of friends in a corner booth when the front door
opened and a hush came over the room. A shadow fell over
his table and Joe looked up into the smiling face of the
Chairman of the Board himself, Frank Sinatra, flanked by
a brace of mountainous body guards. Joe, who idolized the
singer, leapt to his feet. In the process he knocked over
the table and drenched Sinatra in cocktails. The hush in
the room took on a sepulchral tone. Sinatra blotted his
face and suit with a handkerchief while Joe slurred a stream
of apologies. Bar staffers, who were very familiar with
Sinatra’s volatile temper, waited for the explosion.
Sinatra straightened his lapels, took Namath by the shoulders,
and said: “Ah, hey, Joe. Don’t worry about it.” The
two celebrities then sat together for a few drinks. Joe
picked up the check.
Back in New York, Joe got a call from Janis Joplin’s
manager. She was coming to New York and wanted to meet him.
Joe liked her music and invited her to a party he was attending.
As it turned out, Janis had rearranged her whole tour schedule
to make this detour specifically to—well—jump
Joe’s bones. She didn’t exactly fit Joe’s
usual tastes, but Janis was not to be deterred, telling
friends later that she and a bottle of tequila managed to
change Joe’s mind. The next night she dedicated her
concert to Joe Willie and the Jets.
Joe had charm to spare and Hollywood types were hot to sell
it. They launched The Joe Namath Show, a day-time
talk-fest modeled on those hosted by Mike Douglas and Merv
Griffin. It was one of Joe’s few mistakes. He was
uncomfortable on camera and his charm seemed forced. The
show only lasted one season, but left its mark on those
involved. The show’s producer, Larry Spangler, said “We
were the drinkingest show in television. Joe’s coffee
cup was filled with alcohol. Always.” The host was
loaded, the guests were loaded, the crew was loaded. Apparently,
if you listened closely when Joe sipped from his coffee
mug, you could hear the ice cubes clinking in his whiskey.
As has been mentioned, Joe had a way with the ladies. He
never had to go looking for them. Wherever he found himself,
they just appeared—fainting, screaming, straining
to touch his hair and grab at his clothing. After the Super
Bowl win, he could barely move around on his own (it took
a phalanx of 15 New York cops to transport Joe 40 feet from
the dais to his car so he could participate in a parade
thrown by the city to honor the Jets). To dodge his friskier
female fans, Joe took to visiting different bars on different
nights. One he liked was the Phone Booth, but word soon
got around that he could be found there and the bar turned
into a sea of girls with eyes for no one but Broadway Joe.
Some literally spent hours at a time there, laying in wait,
ready to pounce at the first sign of their beloved quarterback.
On one of his last visits, he arrived late with a couple
of friends, happy to find the place mostly empty. Of the
girls present, a pair caught his eye but they were sitting
with two men. Joe decided to take a shot anyway, and when
one of the pair looked in his direction he turned on his
high-voltage smile and gave her a nod. A moment later the
girls had ditched their fellas and joined Joe and his pals
for an all-night party at his penthouse.
The men they ditched were Keith Richards and Mick Jagger.
The Ridiculous Saga of Bachelors III
No discussion of Broadway Joe would be complete without
touching on the aggravating and thoroughly bizarre story
of his foray into private enterprise.
In 1969, Namath, along with two other investors, opened
a night club on the East Side called Bachelors III (the
name referred to the three principles, all of whom were
single). Considering the amount of time Joe spent warming
bar stools, opening a place of his own made perfect sense.
The buzz around town was electric, and Bachelors III opened
to rave reviews, turn-away crowds and colossal receipts.
Plans were quickly implemented to open carbon copies in
Florida and Boston.
Bachelors III became Joe’s sanctuary, a place where
he was always welcome and at his ease. Then along came NFL
Commissioner (and noted stick-in-the-mud) Pete Rozelle.
Hyper-concerned about the public image of League players,
Rozelle got his jockeys all in a twist over the sorts of
people who frequented Bachelors III, and thus came into
regular contact with Joe Namath. Specifically, Rozelle fretted
over the presence of three men: Carmine Tramunti, Tommy “Tea
Balls” Mancuso (who had followed Joe from the Pussycat),
and Carmine Persico (who, in a few short years, would rise
to the role of Godfather of the Colombo Family). They were
known mobsters, killers even, with FBI jackets thicker than
Rosie O’Donnell’s ham-salad bill. To Rozelle’s
knee-jerk way of thinking, it was a very short step from
drinking with gangsters to being controlled by gangsters.
He might’ve been right to worry about other guys,
but not Joe Namath. Rozelle’s paranoia shows how ignorant
he was about Namath’s character. The likelihood that
Joe would have gambled on football or fallen under the sway
of Mafia goons was about the same as the possibility of
him moving to Mongolia and taking up sheep herding. In any
event, Rozelle went after Joe, pointing out a section of
the QB’s contract which stated that NFL players must
never “enter drinking or gambling establishments” or “associate
with notorious persons.” (Notorious persons? Hadn’t
Rozelle ever met Al Davis?)
Commissioner Rozelle demanded that Namath sell his share
of Bachelors III or be found in violation of his contract.
Now, one of Namath’s most stubborn personality traits
was his desire to keep his on-field and off-field lives
totally separate from one another. He angrily wondered where
Rozelle got off telling him what to do with his personal
life. Privately, Joe told friends “Fuck him. I know
I’m right.” Rozelle would not be swayed, and
Joe refused to back down. Stalemate.
It was, anyway, until Joe called some members of the press
together and announced his immediate retirement from professional
football.
The announcement went off like a pipe bomb. What sort of
maniac was this Namath guy? He’s gonna give up all
that money and his place in the spotlight to run a bar? Has
he taken one too many shots to the head? Did that cheap
shot from Ben Davidson in ’67 really mush up his brains?
And what the hell is up Pete Rozelle’s ass? He’s
gonna let the Golden Calf take a long walk off a short pier?
What is he, nuts?
Down at the NFL offices panic ensued. Joe Namath was the
single most marketable player in the League, bar none. His
presence on Sunday afternoons meant millions of dollars
in television ad revenue. More than anyone, he was responsible
for making the NFL/AFL merger a bankable reality. He’d
been served to the League on a silver platter, but now it
looked like they were intent on using the platter as a Frisbee.
The situation had to be fixed, and fixed right damn quick.
Working through intermediaries, a meeting between Namath
and Rozelle was arranged. It lasted well into the night,
and in the end the antagonists reached a compromise. Namath
would sell his share of the New York Bachelors III only.
He would retain his shares of the Boston and Miami locations,
as well as any that might open in the future. Joe wasn’t
what you’d call happy, but since making his announcement
he had realized how much money he was throwing away, so
he signed off on the deal. After two weeks of retirement,
Joe returned to the game he loved.
Things should have ended there, but they didn’t. The
situation had gotten so big and loud that it attracted the
attention of a pair of men who must’ve had better
things to do than get involved in the affairs of a football
player—FBI director (and mutant cross-dresser) J.
Edgar Hoover, and the President of the United States himself,
Richard Nixon. Hoover opened a dossier on Namath, apparently
because Joe’s long hair was evidence of sedition of
some sort. The dossier remained open until Hoover’s
death in 1972, at which point it was closed and deposited
in the circular file where it always belonged. As for Nixon,
he was a Redskins fan, and in those days the Redskins sucked
more ass than a porn star. Namath landed on Nixon’s
infamous “enemies list” for the sole reason
that he won football games.
The reality of Joe’s politics was this: he didn’t
have any. He wanted to score touchdowns. He wanted money.
He wanted girls. He wanted a bottle of Johnnie Walker Red.
Everything else just got in the way.
Conclusion
Personally, I find the notion that a mega-star like Joe
Namath would consider handing over the keys to the kingdom
just to make a point about his personal integrity pretty
inspiring—especially since the move in question involved
owning a bar. Today, we hear all the time about pro athletes
with wildly skewed priorities. What are the odds, do you
think, that a player in today’s NFL would take the
same stand Namath did? I wouldn’t bet that line.
Joe Namath wasn’t the greatest quarterback who ever
played the game, not even in the top twenty, but he is easily
one of the most influential. His victory in Super Bowl III
is among the most important wins in the history of the sport.
It lead directly to the creation of the NFL as we know it
today. That alone makes him a hall-of-famer.
Not bad work for a cocky drunkard from Beaver Falls, PA.
—Richard English
(Note: the Author is indebted to the works of Mark
Kriegel, Dick Schaap, Michael MacCambridge, and the Sports
Illustrated on-line archives.)