In the early 60s Woody Woodbury
reigned as the High Priest of Liquor Culture.
His headquarters
was a famous watering hole in Fort Liquordale (Fort Lauderdale
to you teetotalers), where he performed a comedy routine
based almost entirely on booze and boozers. He was such
a devotee of drink he founded a religion based on alcohol
consumption called BITOA, an acronym for Booze Is The Only
Answer. The members of this creed called themselves Bitoans
and were organized to such an extent that they would travel
from cities across the U.S. for group holidays at luxury
hotels known to have superior bars.
There was even an official Bitoan publication
called Woody Woodbury’s
Party Magazine. It included essays on booze, how to throw wild parties, and
details of events celebrating the Bitoan lifestyle. There was a regular feature
called Booze Nooze, a humor section called Booze, Babes & Bars, and a consumer
information section called Shopping With the Booze Hound. The Booze Hound was
the official mascot of the Bitoan movement, an iconographic representation
of a tipsy canine meant to convey the spirit behind the sect.
Dedicated Bitoans could order plastic
wall plaques of the Booze Hound for five bucks (a lot of
money in 1961), so their home bars could in effect be transformed
into shrines. They could also purchase small pendants shaped
like martini glasses bearing the inscription “Member Bitoa,” and framed parchments outlining
the reed. When visiting Florida to see Woody perform at the Bahama Hotel, members
received a 10% “Bitoan discount” on their rooms.
Woody
Woodbury may well be the only lounge performer to successfully
make the transition to cult leader. Though today we might
perceive cocktail comedy as a marginal phenomenon, in Woody’s day it was nothing of the sort. It’s
appeal was so widespread it is almost impossible to comprehend in terms of the
current culture. Woody’s records sold so many copies they went gold,
and in the 60s it seemed like every household with a record player had at least
one of his albums. He was a frequent guest on the Tonight Show, and an occasional
guest host as well. He even appeared in movies, playing himself in For
Those Who Think Young, a comedy about teenagers on Spring Break in Florida.
Woody’s albums are essential live documents of him holding court at his
H.Q. at the Bahama, complete with the sounds of catcalls from drunks and the
clinking of cocktail glasses. The albums so effectively capture the atmosphere
of the proceedings that one can almost smell the cigarette smoke and cheap cologne.
In ads for his LPs, Woodbury claimed that playing one of his records would “Turn
your house into a Nite Club,” and indeed it does. When the record starts
to spin it becomes a genuine time-traveling experience—you feel as though
you’re in 1961, the golden age of boozers and bars, a time when albums
of cocktail comedy go gold and Mecca was a place called Ft. Liquordale.
I urge every serious
sybarite to seek out those recordings and see for yourself
why Woody Woodbury is the High Holy Man of Hooch.
—Boyd Rice